recordings
For All We Know - hannah ramone
released June 9, 2023
LYRICS
-
slow down
slow down
easy
before you run out
and burn down the field
you gotta learn how to turn down
stop reeling
and listen to the hum of the now
the hum of the now
listen
slow down
slow down
slow down
easy
get on a rooftop
get high up
and breathe
you gotta learn how
to come down
and start healing
and listen to the hum of the now
the hum of the now
listen
listen to the hum of the now
the hum of the now
listen
listen to the hum of the now
listen to the hum of the now
-
chasing your tail and I’m holding it
it’s overrated, being heroic
we need to renegotiate and you know it
and holy hell if you can’t get a hold of it
you’re in a lot of trouble
you’ve got the nerve
to think it would be alright..
counting your aces, you can’t hold them down
no one’s saving no one and not knowing how
don’t disassociate - you won’t know you’ve drowned
I swear to god if you don’t get a hold of yourself
hold of you, hold of you now
you’re in a lot of trouble and
you’ve got the nerve
to think it would be alright
to come over here now
oh you’re in a lot of trouble
I’m running out of words!
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
oh you’re in a lot of trouble
and I’m running out of words.
-
you raise your head
to tell me what I’ve done
all wrong
and everything that’s bad
about the way I talk to you
what I wouldn’t give for a photograph
I raise my voice
to tell you how I feel
I guess
it wasn’t what you needed
and I’m starting to think I’m someone else
what I wouldn’t give for a photograph
who knows
and who cares
you know there isn’t one way
you raise your head
to tell me what you’ve done
all wrong
and how all the thoughts you had
are now gone and they’re hard to get to
I raise my voice
to say you’re not alone
I guess
it died before it reached you
when I thought you looked like someone else
what I wouldn’t give
what I wouldn’t give
who knows
and who cares
you know there isn’t one way
-
sorry boys
I’ve given up on you
don’t be annoyed
I’ll tell you what we’ll do
oh - you don’t like it when I say what to feel?
like you might not be real?
take this time to heal
sorry boys
I’ve given up on you
don’t be annoyed
I’ll tell you what we’re gonna do
oh - you don’t like it when I push you around?
start from underground?
you’ll say nothing now
aye!
sorry boys
I’ve given up on you
don’t be annoyed
I’ll tell you what we’re gonna do
oh - you don’t like it when I tell you to smile?
we’ll be here a while…
we’ll be here a while…
we’ll be here a while….
we’ll be here a while….
……………….
…………..
…….
…
..
.
-
the back of our heads
from what we know
we’ve got pictures
in the back of our heads
so what are we even seeing
if we might not need our eyes?
from what we know
our two blues are two different things
and what you’re feeling
is that the fear I’ve been feeling
who am I in real life?
for all we know
we don’t know
what am I
am I all in my head?
I’ve gotta go until I figure it out
or I’ll die
from what we know
comes back harder the farther you go
so don’t conceal it
I know we’ve got to heal it
who am I to decide?
for all we know
we don’t know
what am I
am I all in my head?
I’ve gotta go until I figure it out
or I’ll die
trying
trying
trying
-
When it all becomes sound
la la la la
la la la la
la la la la
la la la la
la la la la
la la la la
la la la la
la la la la
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
found him alive
with a gun by his side
it had been the whole time
and nobody noticed
and I’m sure he was fine
when they read him his rights
followed up with his wife
and nobody noticed that
I am the one
I am the one
I am the one I am
I am the one
I am the one
I am the one I am
so what now?
oh, now what?
so what now?
oh now…?
la la la la
la la la la (now what?)
la la la la
la la la la (now what?)
la la la la
la la la la (oh)
la la la la
la la la la
can’t turn it down
when it all becomes sound
and you’re not above ground
so I’ll go unnoticed
and I know what it’s about
are you in? are you out?
tell me - what are you now
now that nobody notices?
and I am the one I am
oh I am the one! I am the one!
I am the one- hey!
oh …
so what now?
oh now what?
so what now?
oh now…
la la la la
la la la la (now what)
la la la la
la la la la (now)
la la la la
la la la la (now what)
la la la la
la la la la
-
hear me
talking
in my sleep
hear
hear me talking in my sleep
never wanna leave
hear me screaming out the door
what are we fighting for?
and you can be right
or you can be safe
or you can be a righteous fake
but you are alive
you are alive!
even ok
dare I say balanced?
dare I say
hear me screaming up in arms
about how you live
just tell me I’m something
just tell me I’m focused
to fall in line
to set a table
to follow light
and you are able
you are able
hear me
talking
in my sleep
secret war
secret war
it's a secret war
who okayed this?
secret war
secret war
it’s a secret war
who okayed this?
secret war
secret war
it’s a secret war
who okayed this?
secret war
secret war
it’s a secret war
who okayed this?
-
go look in the mirror
it won’t look like you
you’re seeing clearer
than you are used to
don’t pick up the phone
you’ve got a right not to
start listening harder
than you are used to
like you used to
you gotta hold it all together
now you know
you’re not the only one to get it now
so speak your truth
lean in to the weirdness
we came to do it
while working though it
you will find a new lens
they’ll call you odd
and we know we’re unusual
start listening harder
than you are used to
like you used to
You got to hold it all together
now you know
you're not the only one to get it now
you get it now!
allow your view to change
to get away with it
to get away
to get away with it
you’ve got to focus
to get away with it
you’ve got to fo-
oh you’ve got to focus
got to fo -
oh you got to focus
got to fo -
oh you got to focus
we learn
we learn
we learn
we learn to learn
we learn
we learn to learn
oh you gotta hold it all together
hold it all together
now we now
(we learn to learn)
oh you gotta hold it all together now
hold it all together
(we learn to learn)
you don’t have to hold it all
together now
(we learn to learn)
you don’t have to hold it
no
it’s not yours
(we learn to learn)
oh we gotta hold on to each other now
hold on to each other
now we know
oh we gotta hold on to each other now
hold it all
together
CREDITS
All songs written by hannah ramone
Produced + Performed by:
hannah ramone (vocals, pianos, synths, guitar)
Matt Badger (drums/percussion)
Matt Emerson Brown (guitars/synths)
Chris Williams (synths)
Recorded at Anacortes Unknown Studio in Anacortes, WA
Studio Engineer: Nicholas Wilber
Mixing Engineer: Matt Emerson Brown
Mastering: Jeff Lipton (Peerless Mastering)
Self-Released
some kind of humanness - hannah ramone
released July 30, 2020
LYRICS
-
the back of our heads
from what we know
we’ve got pictures
in the back of our heads
so what are we even seeing
if we might not need our eyes?
from what we know
our two blues are two different things
and what you’re feeling
is that the fear I’ve been feeling
who am I in real life?
for all we know
we don’t know
what am I
am I all in my head?
I’ve gotta go until I figure it out
or I’ll die
from what we know
comes back harder the farther you go
so don’t conceal it
I know we’ve got to heal it
who am I to decide?
for all we know
we don’t know
what am I
am I all in my head?
I’ve gotta go until I figure it out
or I’ll die
trying
trying
trying
-
chasing your tail and I’m holding it
it’s overrated, being heroic
we need to renegotiate and you know it
and holy hell if you can’t get a hold of it
you’re in a lot of trouble
you’ve got the nerve
to think it would be alright..
counting your aces, you can’t hold them down
no one’s saving no one and not knowing how
don’t disassociate - you won’t know you’ve drowned
I swear to god if you don’t get a hold of yourself
hold of you, hold of you now
you’re in a lot of trouble and
you’ve got the nerve
to think it would be alright
to come over here now
oh you’re in a lot of trouble
I’m running out of words!
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
you gotta fight your devil
oh you’re in a lot of trouble
and I’m running out of words.
-
you raise your head
to tell me what I’ve done
all wrong
and everything that’s bad
about the way I talk to you
what I wouldn’t give for a photograph
I raise my voice
to tell you how I feel
I guess
it wasn’t what you needed
and I’m starting to think I’m someone else
what I wouldn’t give for a photograph
who knows
and who cares
you know there isn’t one way
you raise your head
to tell me what you’ve done
all wrong
and how all the thoughts you had
are now gone and they’re hard to get to
I raise my voice
to say you’re not alone
I guess
it died before it reached you
when I thought you looked like someone else
what I wouldn’t give
what I wouldn’t give
who knows
and who cares
you know there isn’t one way
-
hear me
talking
in my sleep
hear
hear me talking in my sleep
never wanna leave
hear me screaming out the door
what are we fighting for?
and you can be right
or you can be safe
or you can be a righteous fake
but you are alive
you are alive!
even ok
dare I say balanced?
dare I say
hear me screaming up in arms
about how you live
just tell me I’m something
just tell me I’m focused
to fall in line
to set a table
to follow light
and you are able
you are able
hear me
talking
in my sleep
secret war
secret war
it's a secret war
who okayed this?
secret war
secret war
it’s a secret war
who okayed this?
secret war
secret war
it’s a secret war
who okayed this?
secret war
secret war
it’s a secret war
who okayed this?
-
waded through black hearts
and i followed around a circled mess
no one could tell me i was wrong
i knew i had you and you were all
i walked over stones
and lost my shoes
but not the trail of you
barefoot over burning forest floors
together riding out of the storm
even when the birds and worms are
crying
i’m fine
i cannot help myself
i must give you my heart
the best i give
i know i’m blushing but this rock
is hitting me in the head
and even when we’re old
and skin and bones
i will be smiling at you
if i become a ghost living
in your shoes
i’ll walk across the ceiling
i’ll walk across the ceiling
i’ll walk across the ceiling
even when we’re old
and skin and bones
if i become a ghost
i'll walk across the ceiling with you
even when the lonely world is fighting
i’m fine waded through black
followed you out
and now i have you
-
When it all becomes sound
la la la la
la la la la
la la la la
la la la la
la la la la
la la la la
la la la la
la la la la
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
I am the one (la la la la)
found him alive
with a gun by his side
it had been the whole time
and nobody noticed
and I’m sure he was fine
when they read him his rights
followed up with his wife
and nobody noticed that
I am the one
I am the one
I am the one I am
I am the one
I am the one
I am the one I am
so what now?
oh, now what?
so what now?
oh now…?
la la la la
la la la la (now what?)
la la la la
la la la la (now what?)
la la la la
la la la la (oh)
la la la la
la la la la
can’t turn it down
when it all becomes sound
and you’re not above ground
so I’ll go unnoticed
and I know what it’s about
are you in? are you out?
tell me - what are you now
now that nobody notices?
and I am the one I am
oh I am the one! I am the one!
I am the one- hey!
oh …
so what now?
oh now what?
so what now?
oh now…
la la la la
la la la la (now what)
la la la la
la la la la (now)
la la la la
la la la la (now what)
la la la la
la la la la
-
go look in the mirror
it won’t look like you
you’re seeing clearer
than you are used to
don’t pick up the phone
you’ve got a right not to
start listening harder
than you are used to
like you used to
you gotta hold it all together
now you know
you’re not the only one to get it now
so speak your truth
lean in to the weirdness
we came to do it
while working though it
you will find a new lens
they’ll call you odd
and we know we’re unusual
start listening harder
than you are used to
like you used to
You got to hold it all together
now you know
you're not the only one to get it now
you get it now!
allow your view to change
to get away with it
to get away
to get away with it
you’ve got to focus
to get away with it
you’ve got to fo-
oh you’ve got to focus
got to fo -
oh you got to focus
got to fo -
oh you got to focus
we learn
we learn
we learn
we learn to learn
we learn
we learn to learn
oh you gotta hold it all together
hold it all together
now we now
(we learn to learn)
oh you gotta hold it all together now
hold it all together
(we learn to learn)
you don’t have to hold it all
together now
(we learn to learn)
you don’t have to hold it
no
it’s not yours
(we learn to learn)
oh we gotta hold on to each other now
hold on to each other
now we know
oh we gotta hold on to each other now
hold it all
together
-
you are in a desolate hour
and following ground
rejected, abandoned
at every gate
just trying to find a place for your feet
to take care of your own
and to feel some kind of humanness
where did ours go?
where did ours go?
and here we are in our
holy white towers
that look down at you
crossing an ocean
on a fucking three dollar toy
and you wonder why it makes
any sense
why they can’t cross this line
this invisible line
where did ours go?
some kind of humanness
(go)
where did ours go?
CREDITS
All Songs written by hannah ramone
Produced + Performed by:
hannah ramone (vocals, pianos, guitar)
Matt Badger (drums/percussion)
Ben Wild (electronic soundscape)
Performed by:
Matt Emerson Brown (electric guitars, synths)
Jake Rohr (bass guitar)
Joan O’Sullivan (piano/vocals archive recording)
Recorded at: Avast! Recording Co., Seattle, WA
Studio Engineer: Matt Emerson Brown
Mixing Engineer: Gary Mula (The Treehouse)
Mastering: Justin Weiss
Self-released
Youth Rescue Mission - youth rescue mission
released March 5, 2011
LYRICS
-
I cannot ignore your diseases
Found myself scared of your
stupid broken arm
And somehow I justified it.
I'm sure you know-
In my head I can't be wrong
I can't be wrong
I can't be wrong
You were all I had to offer them
And you are also
someone I can't rely on
Don't be surprised to find
your room's re-arranged
I'm sure you know
In my head I can’t be wrong…
I can't be wrong
I can't be wrong
Yes, I know
you want to know what they said
Even if I tried
I couldn't say what they did
Just for the record
you don't know what you know
Please don't get mad for something
I couldn't
I coudn't help
(But it's not my fault...)
It's not my fault
It’s not my fault
It’s not my fault
Yes, I know
you want to know what they said
Even if I tried
I couldn't say what they did
Just for the record
you don't know what you know
Please don't get mad
for something I couldn't help
Please don't get mad
for something I couldn't help
Please don't get mad
for something I couldn't...
...I couldn't help.
-
we have very nice things
we have a girl in the warmer
we have wonderful names
we have perfect alignment
we have closets of games
we have funny exchanges
we have family dinners
we have people who like us
We have a very big garden where nothing grows
Built like no one had ever seen something grow
One by one they will notice
This has not been our focus
We have parents to blame
we have no conversation
we have buried our banks
we have seasonal anger
We have a very big garden where nothing grows
Filled with falling white flowers
In rows and rows
One by one they will notice
This has not been our focus
We have work complications
We have polished our punch lines
We have no one to save us.
We are hurried and thoughtless... -
Were you really a pilot?
Were you going insane?
Were you following Jesus
with your aeroplane?
Were you out out-voted?
When you made the call?
What a view of the mountain...
Though I hate to say it...
You finally found a way
To occupy the space...
Did you know you were going ?
Did it feel like the end?
Did you see it coming?
Did you happen to notice?
Did you fall in love
at the last moment?
What a view of the mountain...
What a view of the mountain!
What a view of the mountain!
What a view of the mountain!
What a view of the mountain!
Though I hate to say it
You finally found your fate
Your searching heart was achin'
What a view of the mountain
What a view of the mountain
What a view of the mountain
What a view of the mountain
And though I hate to say it
You always found a way
Of planning an escape
Now you know where you're going
Now you'll make no mistake
Now you're following feelings
In a mystery place
Can you take it all in
For the ones who love you?
What a view of the mountain...
CREDITS
songs written by hannah ramone: floorplan, very nice things & dark star
Performed by:
hannah ramone (vocals, keyboards, guitar)
Daniel Williams (vocals, guitar, bass)
Lūka (vocals, drums, guitar)
Jesse The Ocelot (vocals, guitar)
Produced by: hannah ramone and Gary Mula
Additional musicians:
Nick Wilson-Codega (drums)
Curtis Williams (bass)
Phil O’Sullivan (electric guitar
Amy Zoltek (cello)
Jan Lamb (viola)
Sally Jerde (violin)
String arrangements by John Zoltek
Studio & Mixing Engineer: Gary Mula
Mastering: Jake Perrine
Recorded at the Bani Love Recording Studio, Seattle, WA
Released on Red Kettle Records, Seattle, WA
Good Luck Studio - Friday Mile
released October 20, 2009
CREDITS
songs written by Jace Krause (co-written with hannah ramone)
Performed By:
Jace Krause (vocals, guitars)
hannah ramone (vocals, piano, keyboards)
Chad Clibborn (drums/percussion)
Jake Rohr (bass)
Phil O’Sullivan (vocals, electric guitars, mandolin)
Recorded at: Bear Creek Studios, Woodinville, WA
Produced by: Dennis MacKay and Friday Mile
Studio Engineer: Matthew Doctor
Mixing Engineer: Stuart Hallerman (Avast! Recording Co. )
Released on Timber Carnival Records, Portland, OR
Love & Gasoline - Friday Mile
released February 15 , 2007
CREDITS
songs written by Jace Krause
Performed By:
Jace Krause (vocals, guitars)
hannah ramone (vocals, piano, keyboards)
Chad Clibborn (drums/percussion)
Jake Rohr (bass)
Recorded at Spectre Studios, Maple Valley, WA
Produced by: Friday Mile
Studio Engineer: Zach Varnell
Mixing & Mastering Engineer: Troy Glessner
Released on King of Nothing Changed Records
FEATURED ON:
Summertime Callin’ - Taylar Elizza Beth, WD40
released August 15 , 2023
Chance In Hell - Matt Badger
released February 25 , 2023
Nothings Ever Done - Fukushima Breeze
released 2020
Mystery Romance - Phil O’Sullivan
released 2007
CREDITS
written, performed and produced by:
Taylar Elizza Beth (vocals)
WD40 (production, beats)
hannah ramone (vocals)
CREDITS
written, performed and produced by:
Matt Badger (vocals, guitars)
also performed by:
hannah ramone (backing vocals)
CREDITS
written, performed and produced by:
Chris Williams
also performed by:
hannah ramone (backing vocals on Light City and Hyperfinalized)
CREDITS
written, performed and produced by:
Phil O’Sullivan (vocals, guitars)
hannah ramone (backing vocals on ‘Emmlou’)